Anne Marie Maes is an artist and a researcher. Her work incorporates sculpture, photography, video, installation and public participation.
Her research practice combines art and science with a strong interest for DIY technologies. She works with a range of biological, digital and traditional media, including live organisms.
Anne Marie Maes is the founding director of several non-profit art organizations as Looking Glass, So-on and Okno. She has for decades been a recognized leader pioneering art-science projects in Belgium, using highly original ways to bring out hidden structures in nature by constructing original technological methods to probe the living world and by translating that in artistic creations through sonification, visualization, sculptures, large-scale long-term installations, workshops, lectures and books.
She has a strong international profile, having exhibited (amongst others) at Bozar in Brussels, Koç University Gallery in Istanbul, Borges Center in Buenos Aires, Arsenals Museum in Riga, Skolska Gallery in Prague, the Institute of Evolutionary Biology in Barcelona, the Designmuseum in Mons, the Wissenschaftskolleg in Berlin, Ars Electronica OK Center in Linz, Fundació Miró in Barcelona, Museum de Domeinen in Sittard and the Leonardo Science and Technology museum in Milano.


Feb.15 – July15 2018 – Beehave, at Fundació Miró, Barcelona – Catalunya
Dec.12 – Shapeshifters, Beursschouwburg Brussels
Dec.11 – For a Copernican Revolution – The Art of Transgression. Forum NovaXX at ESA St.Luc Brussels, Brussels, Belgium
Dec.9 – Dec.30 – ‘NovaXX’ exhibition at Halles St.Gery Art Center, Brussels, Belgium
Sept.3 – Jan.7 2018 – exhibition ‘Ecovention Europe’ at Museum De Domeinen in Sittard, the Netherlands


My work is a tight coupling between research and art. It meanders on the edge of biology, ecology and technology. My artistic research is materialized in techno-organic objects that are inspired by factual/fictional stories; in artifacts that are a combination of digital fabrication and craftsmanship; in installations that reflect both the problem and the (possible) solution, in multispecies collaborations, in polymorphic forms and models created by eco-data.
In my Laboratory for Form and Matter I study the processes by which Nature creates form: How bees create honeycombs, how they self-organize into swarms, how plants grow and form geometric patterns, how bacteria and yeast cells collectively create material surfaces forming biofabrics. I observe and analyze these processes, isolate them or causes them to appear in artificial conditions. I create art works from this artistic research in many different media: installations, video, audio, prints, objects. These art works often go beyond the pure esthetic experience of remarkable structures, even if the sense of beauty is always there.


NovaXX is a forum for Women and Innovation in Art, Science and Technology. The first edition of NovaXX takes place at the Halles St.Gery in Brussels from 9 to 30 December 2017. The exhibition showcases work from 9 Belgian and International artists. Additionally a range of presentations and discussion platforms are organised through the month of December 2017 on different locations in Brussels.
All info : NovaXX.eu


Shapeshifters is a series of lectures on Art, Design, Nature and Experiment.
The 2017 edition explores to what extent nature can be altered, bent, or hacked by the interference of designers and artists. How do they facilitate the visualisation of transformations and complex processes in our natural systems?
Six designers/researchers reflect on how these evolutions lead to fundamental shifts on our Anthropocene planet and beyond.
12/12/17: Iohanna Nicenboim and AnneMarie Maes.
All Info : shapeshifters.be



SC / 184 pages / 21 x 14,8 cm
Published by MER. Paper Kunsthalle – Design Studio Luc Derycke – Price 25.00 euros
Authors: AnneMarie Maes, Luc Steels, Armin Medosch, Darko Fritz, Edith Doove
ALCHIMIA NOVA – AnneMarie Maes – 2016

AnneMarie Maes is a multi-media artist who has been studying the tight interactions and co-evolutions within urban ecosystems. In the open-air lab on the rooftop of her studio, she created an experimental garden and has been keeping bees in self-designed beehives, equipped to bring out hidden structures in the life of the colony. Her “field notes” provide an on-going source of inspiration for her artworks. The Bee Laboratory, as well as her Laboratory for Form and Matter, where she experiments with bacteria and “living” textiles, open a framework that has been initiating a wide range of installations, photography works, sculptures, workshops and books. It is a long-term project on the edge of art, science and technology.

Buy the book online at:
Available at following bookshops:
Brussels/Belgium: PASSA PORTA
Brussels/Belgium: WIELS BOOKSHOP
Brussels/Belgium: BOZAR BOOKSHOP
Gent/Belgium: COPYRIGHT
Antwerp/Belgium: COPYRIGHT
Barcelona/Spain: LA CENTRAL BCN (Raval, Mallorca and Macba bookshops)
Berlin/Germany: PRO QM
Berlin/Germany: DO YOU READ ME?!
Available at following libraries:
San Francisco, California: KADIST Art Center, library
Oakland, California: Mark Thompson’s Orn Honeybee Archive
Cambridge, Massachusetts: MIT Media Lab, library



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