portfolios

 

2024/02 - Sensorial Skins and Microbial Ancestors (tapestries)

2024/02 - Sensorial Skins and Microbial Ancestors (tapestries)

Textile works and installations are an inherent part of the visual arts today. In researching works with new, often biological, materials, much research work can still be done within this discipline. In my work, I bring together different lines of thought within which textiles and textile techniques can be seen as mediums and signifiers.
2023/10 - research cahiers

2023/10 - research cahiers

1. Architectural Elements - a selection of works and research 2. Biomimetic research - a selection of works and research
2023/5 - Portfolio

2023/5 - Portfolio

Portfolio 2023/5 with a selection of works and research. CV at the end of the portfolio.
2022/11 - Portfolio

2022/11 - Portfolio

Portfolio 2022/11 with a selection of works and research. CV at the end of the portfolio.
2021/12 - PORTFOLIO (selection JVE)

2021/12 - PORTFOLIO (selection JVE)

Portfolio 2021/12 with a selection of works and research. CV at the end of the portfolio.
2021 - PORTFOLIO (selection)

2021 - PORTFOLIO (selection)

Sensorial Skins, Cyanobacteria, Honey Bees and co-creations with other living organisms Portfolio (selection) - AnneMarie Maes, 2021
2020 _  Portfolio (G) short

2020 _ Portfolio (G) short

Very short portfolio
2020_PORTFOLIO: research, photographs, objects and installations

2020_PORTFOLIO: research, photographs, objects and installations

2020_PORTFOLIO: research, photographs, objects and installations 1. Bee Agency 2. Sensorial Skin 3. Connected Open Greens 4. Laboratorium for Form and Matter
2017 - ADDENDUM I to the ALCHIMIA NOVA publication

2017 - ADDENDUM I to the ALCHIMIA NOVA publication

My work is a tight coupling between research and art. It meanders on the edge of biology, ecology and technology. My artistic research is materialized in techno-organic objects that are inspired by factual/fictional stories; in artifacts that are a combination of digital fabrica- tion and craftsmanship; in installations that reflect both the problem and the (possible) solu- tion, in multispecies collaborations, in polymorphic forms and models created by eco-data.
1998-2009 PORTFOLIO: older works

1998-2009 PORTFOLIO: older works

This Portfolio gives an overview of my work from 1997 to 2009. Please be patient, images are loading very slowly (I don't know why...)

 

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